Günter Grass in 2010.

• Günter Grass, best known for his novel The Tin Drum, has died at eighty-seven. “Grass learned a lot from Rabelais and Celine and was influential in development of ‘magic realism’ and Marquez,” Orhan Pamuk said about him. “He taught us to base the story on the inventiveness of the writer no matter how cruel, harsh, and political the story is.”
• Joseph Mitchell was on staff at The New Yorker for decades—and yet the magazine has suspiciously few of his bylines. What was he doing all that time? “Mitchell had no idea he was embarking on one of the most celebrated writer’s blocks in American letters. In fact, at the time he was juggling a variety of ideas, hoping—assuming—that in his reporting one of them would logically emerge as his next New Yorker piece.”
• Distracted? Of course you are—this is 2015. It’s in the nature of contemporary society “to manipulate our attention and to profit others … repetitive pseudo-actions create patterns of satisfaction that progressively disconnect us from the world.” And for this preponderance of pseudo-actions we can blame one Immanuel Kant, whose “insistence on autonomy … reads as a denial of mutual entanglement.”
• Toby Barlow on Derek Walcott and Star Trek: “If any other show had as many scenes in an elevator as Star Trekdid, we would have talked about it, complained about it.”
• On theAnderson Valley Advertiser, which dubs itself “America’s last newspaper” and reads like “Our Townon bad Mendo meth, a Norman Rockwell scene painted in the midst of a weed-wine binge and given a makeover by Hunter S. Thompson.”